2008
“Mongolian Horses and Siberian Tigers- New Paintings on Paper and Canvas,“ Absolutearts.com, Indepth Art News, October 23; Color reproduction: Crouching Tiger, 2008
2006
Schwendener, Martha; Review,
The New Yorker, April 17; Review of one-person exhibition at Cheryl Pelavin Fine Arts, NYC
2005
LaFaso, Vanessa; “Larger Than Life: DuBasky’s Oversize Work Focuses on Animal, Plant Life Along Silk Road,” The Washington Diplomat, October; Review of one person exhibition at The National Academy of Sciences Gallery, Washington, DC; Color reproductions: Gray Bird and Branches, 2005, Riverbirds, Fossils and Reeds, 2005 and Mountain Site, 2003
Tierney, Robin; Review, The Examiner, October 29; Review of one-person exhibition at the National Academy of Sciences Gallery, Washington, DC; Color reproduction: Red Bird & Reeds, 2005
2001
Wilkinson, Jeanne C.; Review,
Tribeca Tribune, Vol. 8, No. 4, December; Review of one-person exhibition at Cheryl Pelavin Fine Arts, NYC; Color reproduction: Forest Site Wat Phimai, 2001
2000
Johnson, Ken; Review,
The New York Times, February 4; Review of one-person exhibition at Cheryl Pelavin Fine Arts, NYC
Silverstein, Joel; Review, Review Magazine, January; Review of one-person exhibition at Cheryl Pelavin Fine Arts, NYC
Review, Idaho Mountain Express, Arts & Events, Sun Valley, Idaho, August 2; Review of one-person exhibition at Andria Friesen Fine Arts, Seattle; Color reproduction: Forest Site with Spotted Stag, 2000
1999
Henry, Gerrit; Review,
Art in America, January; Review of one-person exhibition at Cheryl Pelavin Fine Arts, NYC; Color reproduction:
Syntax, 1998
1997
Grau, Jane; Review, Charlotte Newsstand, Arts & Entertainment, November 1; Review of one-person exhibition at Hodges Taylor Gallery, Charlotte; Color reproduction: Red Spotted Horse, 1997
1991
Cohen, Ronny; Review,
Artforum, December; Review of one-person exhibition at Ruth Siegel Gallery, NYC; Color reproduction:
Indonesia, 1991
1986
Henry, Gerrit; Review, Art in America, April; Review of one-person exhibition at Oscarsson-Hood Gallery, NYC; Reproduction: Primate, 1986
Broelley, Doen; “Modern Day Cave Painting,” The Weekly, Vol. 11, No. 25, June 18; Review of one-person exhibition at Hodges Banks Gallery, Seattle; Color reproduction: Sienna Stag, 1984
1985
Review, Gallery Guide, December; Review of one-person exhibition at Oscarsson Hood Gallery, NYC; Reproduction: Rough Beast, 1984
Harper, Paula; Review, Miami News, Miami Art Scene, April; One-person exhibition at Gloria Luria Gallery, Miami
Shanks, John Arthur; “Prehistory to Post Modernism,” Women Artists News, Vol. 9, No. 2, Winter; Review of one-person exhibition at Semaphore Gallery, NYC; Reproduction: Fallow Deer in Bracken, 1983
1983
Zimmer, William; Review,
Arts Magazine; Review of one-person exhibition at Oscarsson-Hood Gallery, NYC; Color reproduction:
Amber Stag, 1983
1981
Parks, Addison; Review, Arts Magazine, Vol. 55, No. 6; Review of one-person exhibition at Semaphore Gallery, NYC; Color reproduction: Split Cow, 1981
Pellicone, William; Review, Artspeak, Vol. 2, No. 9; Review of one-person exhibition at Semaphore Gallery, NYC; Reproduction: Split Cow, 1981
Shanks, John Arthur; Review, Women Artists News, Winter/Spring; One-person exhibition at Semaphore Gallery, NYC; Color reproduction: Split Cow, 1981